Posts Tagged ‘film’

Sita Sings the Blues; or why music licensing stifles creativity

Monday, March 9th, 2009

Sita Sings The Blues

Sita Sings The Blues is a wonderful film mixing a Sanskirt ancient epic with great 1920′s music and incredible animation. Nina Paley spent 3 years doing this I think partly autobiographical animation – in parts incredibly breathtaking, laugh-out-loud funny, charming, and moving.

So can you see it? I mean those 1920′s songs must be out of copyright, right? Until very recently, no:

I really recommend all of you watch the above video – the history and situation of music licensing aka ‘sync rights’ is in the dark ages, and confusing especially for stuff which has lapsed mechanical copyrights – ie. you can copy it, put it in your iPod, even create compilations of it and sell them for small amounts – but put them in a movie? No, you’ll get charged 15-20,000 dollars for something where everyone is now long dead, even if you’re a non-profit, or not planning to make any money off it, or even have to play $500 dollars per song JUST to show it at a festival! Does that sound like a cartel to you?

I mean in this day and age the whole ‘we have to pay money upfront’ just seems stupid, and rather like blackmail in this era of micropayments, royalties and subscriptions. I think artists should get paid if something commercially takes off, yes – but in the areas where it doesn’t make money I cannot see how it can harm – in fact it eventually harms the artist and their families because they get less exposure and less royalties because people avoid their music. It’s really protection money.

Well Nina Paley has not only fought this, she has taken out a $50k loan (she beat them down from 220k!!!!) to put this film out, and as well as the DVD she has distributed ‘promotional copies’ online under a Creative Common license – so you can watch it, download it, remix it:


Google video is rather low res – a higher res but non-embeddable version can be seen here at thirteen.org or download in other formats here.

You can donate to her here – I recommend if you do enjoy her film and support her fight, give her a few dollars – because I think it’s a beautiful film (even Roger Ebert is a fan) and worthy of support, and her points about ‘self-censorship’ over copyright, even supposedly long-dead ones, of music is being internalised now in schools and by artists, everyone is running scared over culture they should partly own – and also because of the alternate funding and distribution model which will eventually be the norm, but at the moment is seen as somehow lesser.

As an artist I totally understand the need to ‘create’ something, and think about the consequences later, or not let them affect your work – because that mindset destroys everything and does let the corporate side win. So we need people like Nina who are willing to fight back and fight for their work – because the 1984 mindset that you should only do what is legally or monetarially sanctioned is not only destructive, it doesn’t allow for the fact people do change the world all on their own.

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depression: new digital debris!

Tuesday, January 27th, 2009

chair-med

OK a lot of you may not even have heard of Radio Clash’s shy sibling, the arts/experimental podcast digital debris.

Well finally got to the 3rd proper episode ‘depression‘ I go back to 1929 via 78. 2(00)9 recurring, as we crash, crash, crash. Crunch.

Loads of classic Great Depression-themed 78rpm records, readings from novels of the time, and maybe an inkling, crackly messages from ’29, of ways of coping during the 2009 recession? Interspersed with bits from the 1935 novel by Horace McCoy and 1969 film, They Shoot Horses Don’t They? to even up the happy happy sunshine score.

I can’t say in words how much I love 1920s and 1930s music, a lot seems as current today as then, and I set up digital debris in part to play out of copyright 78′s – so here is a show dedicated to them, at a time when economic uncertainty in the songs echoes through the years and resonates today. Or is that just the knitting needle stylus buzzing? I don’t know…

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Social gaming / State of the Twitter Nation address

Tuesday, November 25th, 2008

OK this post has been brewing for a long while – so it’ll be a long one. Deal.

About a month ago I joined Twitter – people were quite surprised, 2 years ago I’d expressed my hatred of Twitter at Podcamp 06 (the audio is floating around somewhere) so me eventually joining Twitter was a surprise.

Why the turnaround? Well one of two things; I feel as part of my job I need to keep abreast of these technologies, and the other that I’d missed hearing about whole conferences because the podcasting community had pretty much decamped wholesale to Twitter, and thus most of the conversations don’t happen outside, or unless you are subscribed to 100s of shifting blogs. Unlike previous times, the only central point was…you guessed it – the ubiquitous Twitter.

So has my attitude changed? Yes and no.

Back in 2006 I decried the fact that Twitter and social media were sucking the life out of real life friendship – there wasn’t really a point to going to see mates to find out how they are when you can read it on a Facebook or Twitter update. I think the social effects of sites like Facebook since 2006 has partly proven me correct, people seem to be using technology to offset traditional contact with friends, and there seems to be a wider base of shallower friends, what I call acquaintances, but under an umbrella of frequent updates so connected as if they are close friends. It’s a sham; a bad reflection of a true friendship. Obviously it’s also a good, keeping people in touch who are the other side of the world and bringing people together, so it’s not all bad. But I find it ironic that through technology I’m more likely to see someone 100s or 1,000s of miles away, but then never see friends down the road in the flesh.

Crazy Half Life

Robert Scoble talked about half-life of a conversation recently; I think in James Gleick fashion it’s useful to try and measure the speed at which these conversations are moving, the stress vectors. It’s obvious that Twitter is a very different animal to Livejournal, despite not that different technology and only about 7 years difference in launchdate, but really in speed they are worlds apart.

Part of the attraction of Twitter is it’s Google-like simplicity, it does one thing, and does it well. Compared to blogging or email, the conversations seem fairly one-sided, like a blog (really most people there are talking about themselves, the amount of PR/marketing and new media evangelists is horrific); but without the depth you can maintain in a blog. The conversations are quicker – gone in 15 minutes or quicker, and very volatile – no not that people get angry but the posts disappear off-screen quickly, and are gone.

So like a more acceptable version of those kids on the bus txting continually, it’s blogging with hyper A.D.D. But this seems to be the way social media is moving – into the realm of fast immediate mobile-friendly short conversations, throwaway, shallow.

And with video – like 12seconds I can see it becoming wham-bam-thank-you-Mr because the time constraints of following 100 or 1,000+ people and the flood of audio and video media means the message has to survive the tl;dw or tl:dl (too long; didn’t watch or too long; didn’t listen) of mobile phones, iPods and online media. Will this affect the message? Of course it will. Or there will be two streams, one of the refuseniks producing niche longer programs, and a massive pool of really short shows with no content.

Living with Numbers

‘Social Gaming’ as I call it, attaining friends for sheer number volume and grooming/attracting/whoring yourself to get people to click that ‘Add friend’ or ‘Follow’ button is not new – Myspace and millions of teenagers have been playing that game for years. But the simplicity of the user interface coupled with the prominence of the Following / Follower stats (thank GODDESS they didn’t make the mistake of calling it “friend’ like Myspace and LJ, what a psychological drama minefield that has been) has led to an almost messianic obsession with collecting followers. It makes the obsessive ‘I wanna be your friend’ popularism from when you were in school seem somehow quaint. At least those teens weren’t pushing a ‘brand’ and a hidden business/marketing plan.

Also interesting is a new breed of people who seem to be trying to create a career being a Social Media Whore – consultants or new media professionals, it’s like the professional bloggers of yore (who interestingly have stormed this Social Media space in the same way traditional broadcasters invaded podcasting, using their ‘name’ status and existing readership and other channels to promote their Twitter/Friendfeed ;-) to trounce any ‘competition’) except with one difference – blending the prosaic and mundane with the insights and links of old, all in 140 characters, leading to a sort of silent film / talkie divide between those using all media – video, microblogs, maps, moblog photos, work AND play, and those just pinging their Twitter from their blog when they post.

But is it possible to eat off linklove? Can online respect alone pay the bills? Is it a new way of working (I know of people who have gotten work via Twitter and other social media), or just TwitFactor? Your 15 seconds are up, Mr McLuhan43553.

Top of the Class

Something that has always bothered me about social media – and new / rich media (interesting term there) as a whole is that it’s nerdy. white, usually male and most definitely middle class. I’m sure loads of people will now point to exceptions, but it bothers me that diversity isn’t there – when 2nd and some of the 3rd world can now have access to at least mobile networks there isn’t a desire or a knowledge to blog, vlog, podcast, communicate? Is this a purely leisure class pursuit? Is it because the barriers to entry are too high, these shiny toys are way too expensive, from computers to bandwidth to servers? I do feel personally there aren’t enough different voices, and a lot of existing voices ‘retweeting’ or reposting the same old.

Talking class, it’s interesting that sociologists are studying the online habits of teenagers of differing class strata and/or money / social groups. Danah Boyd is doing some interesting work in this area – Facebook vs Myspace was a contentious one from 2007, I can see similar tribal loyalties affecting who signs up for Bebo, LinkedIn, Twitter etc. I wonder if Twitter classes as mid-30s male IT geek in it’s demographic? Certainly to progress past the posts about software ‘mashups’ (grr) and Rails coding it needs to widen it’s appeal – the one sided nature of most conversations and marketing spiel as well will put people off – the ability to track conversations is hard, which as Mr Scoble would say at this point, is why Friendfeed wins in that regard.

Hierarchies in the Clouds

I find it interesting that there is already what is called a Twitterati. but no Facebookati or Bebo Mafia, and it’s already acquired a (jokingly?) negative connoitation. Every bunch of people online creates a clique, but not many have such a visible metric to affirm their status. So you get usually the same old names, with 1,000s of friends, beseiged by their success, so they talk to each other and themselves. Reciprocity failure, the gift that keeps on giving.

Rustle the Brand / Public good?

So the new model that people are building is one of branding yourself (I did say they were in marketing) – but corporate bloggers could tell you tales of drunkeness and cruelty and the problem of openness vs public image. Now multiply this to a whole life, where the personal, prosaic and professional are blended together, where people share drunken tagged photos and videos on YouTube and Facebook (better change your Privacy settings!) with a profile linked to your LinkedIn CV. Now you can develop nicknames and personas, but it does raise interesting issues on what employers expect to know and what employees share (or more interestingly get shared about them), and how those feeds interact and cross-relate. And how it could all go very, very wrong (see the whole Russell Brand debacle for a broadcast version of this).

Is there a public good in social media? Is the act of sharing seen as a public good, or is it just an act of vanity or self promotion? Will people share if it endangers their brand? Or just self-censor so the conversations and connections become banal?

Web 2.0 – Where’s My Money?

Free content isn’t free; someone has to spend time making it, someone has to spend money storing it; someone at YouTube or Twitter has to spend expensive nights awake trying to work out how to make money from it. People have made money from other people’s ‘free’ content though.

I’ll quote Bicyclemark and Richard Bluestein from a Citizen Reporter podcast:

“BicycleMark: But then again sometimes I look at conferences and I think ‘What have we done?’. I’ve seen some very expensive conferences taking place…but you look around and you go ‘Wow look all this money that’s been spent so these people can talk to each other’ and I guess make business deals.

Richard: You know what bothers me…It’s interesting though that the business people that schmoozed and squeezed the money out of VC’s – they are not having any sort of problems paying for their health insurance, they’re still flying first class, you know what I mean..That’s the case pretty much anywhere in Silicon Valley…the people that Twitter everything and talk about the trends and eat constantly…just constantly! They just fucking always have plenty of money…they’re relying, they’re sucking off people like us that produce content…If you have a business based on podcasting or video…or streaming, there wouldn’t be any website if there wasn’t people makiing stuff. Most of the time they aren’t paying anything for that content.”

What the quote displays is the widening digital and social divides is also reflected online – the differences between rich and poor, free creators and paid producers, those with VC money and those with not and different classes. The internet has been seen as the great Communicator, crossing boundaries of race, class and gender, yet people are getting rich reinforcing those differences. Rich media indeed.

And the book publishers (Mr O’Reilly invented the term to sell books remember) and people who created startups and got the sponsorships and VC funds (and even refuse offers from Facebook) are the ones who got rich off the podcast (failed) boom, or the recent online video goldrush. Only the fail whale of the economy will put a pinprick into this small bubble. Maybe Baron von Blubber should sue.

But the ethics of making money off someone else’s content – which might not be owned by them, well I think it’s dubious at best. Funny to hear people moan about 99% of the videos on YouTube not being ‘monetizable’ – what you want people to post videos for free that conveniently fit into your business model and sponsorship deals? Do you want gold-plated hundreds and thousands on that cake or are you gonna eat it as is? No I’m surprised the companies have been very lax in revenue sharing, apart from some laughable contracts – it’s the media that brings people in, support it. Or it dies…oops too late.

Summary

Maybe the economy will change all this – unemployed people become social media professionals, selling their network as much as their skills (why does that sound like some 21st century cyber Austen novel?) and have time to create amazing videos on YouTube. With no house, rent or need for food. And pigs tweet.

I think it’s more likely the freebie time other than kids at school or retired people is over; companies are going to have to attract people to create media for them, especially if it has to be short snappy and sweet. Yeah the conversational tweet/video microblogging will stay; but podcasting and online video are going to have a tougher time. When people are stressed about their rent, they aren’t going to make loads of Mentos videos…unless it’s of protests. Maybe like with the Obama campaign we’ll see a start of mass use of social media as a political tool, if so that does give me hope.

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Down the Rabbit K-Hole, munching on mushrooms…

Tuesday, September 2nd, 2008

Simply beautiful and mesmeric, an audio/video cutup from a certain Disnae film:

You can find this and other tracks here http://www.last.fm/music/Pogo/Wonderland – what a generous person! Thanks to Lumpy for punting me this way, err….or somethin’ ;-)

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Pre history part 1

Thursday, July 24th, 2008

Gradually getting back into video and uploading some of my degree/personal video work.

(Excerpts from) The Milk Lab Tapes 1995 (remixed 2002)
(NSFW, contains super8 of birth and a rather charming 1950s porn lady, quite quaint really…)

Milk Laboratory was an experimental music night – well not that experimental, we’d play Aphex Twin, LFO, Throbbing Gristle, Air Liquide – industrial and dark ambient. I did the visuals, using found video, adverts, stuff I’d shot around Sheffield, and remixing Super8 that a friend had collected and was doing loops from. I also used to shoot a lot of video from buses – my degree show was shot in the bus station – and super8 shot on the moors (which will be another film/post) and upside down reverse video shots – literally I took VHS tape and respliced it upside down so the helical scanning drum would read  correctly yet backwards – and it worked! I loved the way the colours reversed and the image broke up.

Posted it here because a) it contains some music I’ve not released yet – from 1992-95 it contains the pieces under my Reality Engine moniker – you might be surprised from my pop mashups where my history lies, in more extreme noisetronica/experimental cutup work, that would be more akin to Merzbow, Zorn and Burroughs than Soundhog or Go Home Productions!

  • ‘Killed or Murdered (Headcleaner mix)’ (the WW Catholic Radio sampling one, with feedback through an effects unit)
  • ‘Test Broadcast’ which I did for a film in my second year (and yes that is me on vocals)
  • ‘Semi Automatic (Headcleaner mix)’ which was a cutup I did on the Amiga, again with feedback, and the track I was working on for my degree installation -
  • ‘Counter Surveillance Program’ which included loads of mobile phone scans. The rest of the tracks are bits from the N.E.M.C.

You can find part two here – both p1 and 2 were the ‘remix’ re-edit I did in 2002 from the 15 minute original,  taking out the boring morphs and really dodgy stuff. Yes there was dodgier stuff!

And here’s a video I did of people smashing up televisions. Yes as you will see in future posts I liked to destroy things, including intentionally glitching video:

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