Posts Tagged ‘podcamp’

Social gaming / State of the Twitter Nation address

Tuesday, November 25th, 2008

OK this post has been brewing for a long while – so it’ll be a long one. Deal.

About a month ago I joined Twitter – people were quite surprised, 2 years ago I’d expressed my hatred of Twitter at Podcamp 06 (the audio is floating around somewhere) so me eventually joining Twitter was a surprise.

Why the turnaround? Well one of two things; I feel as part of my job I need to keep abreast of these technologies, and the other that I’d missed hearing about whole conferences because the podcasting community had pretty much decamped wholesale to Twitter, and thus most of the conversations don’t happen outside, or unless you are subscribed to 100s of shifting blogs. Unlike previous times, the only central point was…you guessed it – the ubiquitous Twitter.

So has my attitude changed? Yes and no.

Back in 2006 I decried the fact that Twitter and social media were sucking the life out of real life friendship – there wasn’t really a point to going to see mates to find out how they are when you can read it on a Facebook or Twitter update. I think the social effects of sites like Facebook since 2006 has partly proven me correct, people seem to be using technology to offset traditional contact with friends, and there seems to be a wider base of shallower friends, what I call acquaintances, but under an umbrella of frequent updates so connected as if they are close friends. It’s a sham; a bad reflection of a true friendship. Obviously it’s also a good, keeping people in touch who are the other side of the world and bringing people together, so it’s not all bad. But I find it ironic that through technology I’m more likely to see someone 100s or 1,000s of miles away, but then never see friends down the road in the flesh.

Crazy Half Life

Robert Scoble talked about half-life of a conversation recently; I think in James Gleick fashion it’s useful to try and measure the speed at which these conversations are moving, the stress vectors. It’s obvious that Twitter is a very different animal to Livejournal, despite not that different technology and only about 7 years difference in launchdate, but really in speed they are worlds apart.

Part of the attraction of Twitter is it’s Google-like simplicity, it does one thing, and does it well. Compared to blogging or email, the conversations seem fairly one-sided, like a blog (really most people there are talking about themselves, the amount of PR/marketing and new media evangelists is horrific); but without the depth you can maintain in a blog. The conversations are quicker – gone in 15 minutes or quicker, and very volatile – no not that people get angry but the posts disappear off-screen quickly, and are gone.

So like a more acceptable version of those kids on the bus txting continually, it’s blogging with hyper A.D.D. But this seems to be the way social media is moving – into the realm of fast immediate mobile-friendly short conversations, throwaway, shallow.

And with video – like 12seconds I can see it becoming wham-bam-thank-you-Mr because the time constraints of following 100 or 1,000+ people and the flood of audio and video media means the message has to survive the tl;dw or tl:dl (too long; didn’t watch or too long; didn’t listen) of mobile phones, iPods and online media. Will this affect the message? Of course it will. Or there will be two streams, one of the refuseniks producing niche longer programs, and a massive pool of really short shows with no content.

Living with Numbers

‘Social Gaming’ as I call it, attaining friends for sheer number volume and grooming/attracting/whoring yourself to get people to click that ‘Add friend’ or ‘Follow’ button is not new – Myspace and millions of teenagers have been playing that game for years. But the simplicity of the user interface coupled with the prominence of the Following / Follower stats (thank GODDESS they didn’t make the mistake of calling it “friend’ like Myspace and LJ, what a psychological drama minefield that has been) has led to an almost messianic obsession with collecting followers. It makes the obsessive ‘I wanna be your friend’ popularism from when you were in school seem somehow quaint. At least those teens weren’t pushing a ‘brand’ and a hidden business/marketing plan.

Also interesting is a new breed of people who seem to be trying to create a career being a Social Media Whore – consultants or new media professionals, it’s like the professional bloggers of yore (who interestingly have stormed this Social Media space in the same way traditional broadcasters invaded podcasting, using their ‘name’ status and existing readership and other channels to promote their Twitter/Friendfeed ;-) to trounce any ‘competition’) except with one difference – blending the prosaic and mundane with the insights and links of old, all in 140 characters, leading to a sort of silent film / talkie divide between those using all media – video, microblogs, maps, moblog photos, work AND play, and those just pinging their Twitter from their blog when they post.

But is it possible to eat off linklove? Can online respect alone pay the bills? Is it a new way of working (I know of people who have gotten work via Twitter and other social media), or just TwitFactor? Your 15 seconds are up, Mr McLuhan43553.

Top of the Class

Something that has always bothered me about social media – and new / rich media (interesting term there) as a whole is that it’s nerdy. white, usually male and most definitely middle class. I’m sure loads of people will now point to exceptions, but it bothers me that diversity isn’t there – when 2nd and some of the 3rd world can now have access to at least mobile networks there isn’t a desire or a knowledge to blog, vlog, podcast, communicate? Is this a purely leisure class pursuit? Is it because the barriers to entry are too high, these shiny toys are way too expensive, from computers to bandwidth to servers? I do feel personally there aren’t enough different voices, and a lot of existing voices ‘retweeting’ or reposting the same old.

Talking class, it’s interesting that sociologists are studying the online habits of teenagers of differing class strata and/or money / social groups. Danah Boyd is doing some interesting work in this area – Facebook vs Myspace was a contentious one from 2007, I can see similar tribal loyalties affecting who signs up for Bebo, LinkedIn, Twitter etc. I wonder if Twitter classes as mid-30s male IT geek in it’s demographic? Certainly to progress past the posts about software ‘mashups’ (grr) and Rails coding it needs to widen it’s appeal – the one sided nature of most conversations and marketing spiel as well will put people off – the ability to track conversations is hard, which as Mr Scoble would say at this point, is why Friendfeed wins in that regard.

Hierarchies in the Clouds

I find it interesting that there is already what is called a Twitterati. but no Facebookati or Bebo Mafia, and it’s already acquired a (jokingly?) negative connoitation. Every bunch of people online creates a clique, but not many have such a visible metric to affirm their status. So you get usually the same old names, with 1,000s of friends, beseiged by their success, so they talk to each other and themselves. Reciprocity failure, the gift that keeps on giving.

Rustle the Brand / Public good?

So the new model that people are building is one of branding yourself (I did say they were in marketing) – but corporate bloggers could tell you tales of drunkeness and cruelty and the problem of openness vs public image. Now multiply this to a whole life, where the personal, prosaic and professional are blended together, where people share drunken tagged photos and videos on YouTube and Facebook (better change your Privacy settings!) with a profile linked to your LinkedIn CV. Now you can develop nicknames and personas, but it does raise interesting issues on what employers expect to know and what employees share (or more interestingly get shared about them), and how those feeds interact and cross-relate. And how it could all go very, very wrong (see the whole Russell Brand debacle for a broadcast version of this).

Is there a public good in social media? Is the act of sharing seen as a public good, or is it just an act of vanity or self promotion? Will people share if it endangers their brand? Or just self-censor so the conversations and connections become banal?

Web 2.0 – Where’s My Money?

Free content isn’t free; someone has to spend time making it, someone has to spend money storing it; someone at YouTube or Twitter has to spend expensive nights awake trying to work out how to make money from it. People have made money from other people’s ‘free’ content though.

I’ll quote Bicyclemark and Richard Bluestein from a Citizen Reporter podcast:

“BicycleMark: But then again sometimes I look at conferences and I think ‘What have we done?’. I’ve seen some very expensive conferences taking place…but you look around and you go ‘Wow look all this money that’s been spent so these people can talk to each other’ and I guess make business deals.

Richard: You know what bothers me…It’s interesting though that the business people that schmoozed and squeezed the money out of VC’s – they are not having any sort of problems paying for their health insurance, they’re still flying first class, you know what I mean..That’s the case pretty much anywhere in Silicon Valley…the people that Twitter everything and talk about the trends and eat constantly…just constantly! They just fucking always have plenty of money…they’re relying, they’re sucking off people like us that produce content…If you have a business based on podcasting or video…or streaming, there wouldn’t be any website if there wasn’t people makiing stuff. Most of the time they aren’t paying anything for that content.”

What the quote displays is the widening digital and social divides is also reflected online – the differences between rich and poor, free creators and paid producers, those with VC money and those with not and different classes. The internet has been seen as the great Communicator, crossing boundaries of race, class and gender, yet people are getting rich reinforcing those differences. Rich media indeed.

And the book publishers (Mr O’Reilly invented the term to sell books remember) and people who created startups and got the sponsorships and VC funds (and even refuse offers from Facebook) are the ones who got rich off the podcast (failed) boom, or the recent online video goldrush. Only the fail whale of the economy will put a pinprick into this small bubble. Maybe Baron von Blubber should sue.

But the ethics of making money off someone else’s content – which might not be owned by them, well I think it’s dubious at best. Funny to hear people moan about 99% of the videos on YouTube not being ‘monetizable’ – what you want people to post videos for free that conveniently fit into your business model and sponsorship deals? Do you want gold-plated hundreds and thousands on that cake or are you gonna eat it as is? No I’m surprised the companies have been very lax in revenue sharing, apart from some laughable contracts – it’s the media that brings people in, support it. Or it dies…oops too late.

Summary

Maybe the economy will change all this – unemployed people become social media professionals, selling their network as much as their skills (why does that sound like some 21st century cyber Austen novel?) and have time to create amazing videos on YouTube. With no house, rent or need for food. And pigs tweet.

I think it’s more likely the freebie time other than kids at school or retired people is over; companies are going to have to attract people to create media for them, especially if it has to be short snappy and sweet. Yeah the conversational tweet/video microblogging will stay; but podcasting and online video are going to have a tougher time. When people are stressed about their rent, they aren’t going to make loads of Mentos videos…unless it’s of protests. Maybe like with the Obama campaign we’ll see a start of mass use of social media as a political tool, if so that does give me hope.

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Trevor Dann and Do It Yourself

Monday, September 17th, 2007

Trevor Dann @ PodCampUK
Uploaded by deanwhitbread

This Trevor Dann (yes that one, formerly Radio 1 and now Radio Academy) session from PodCampUK taken by Dean is very good…interesting analogy with the fanzines, and pirates.

I wish I’d gotten out of bed to see that (this was the first session around 9)…I agree with what he’s saying about radio changing and different media, but I don’t totally agree with what he said about the softly softly approach – history will bear me out on the fact that both softly softly and disobedience are needed; the pirates had to go and do their thing first – I’m sure the people doing the pirates tried the established approach and got pissed off.

Fanzines are closest to that spirit cos they also ignored most of the legal and design red tape, and the 6 months+ before an article about a long-dead scene even appears, and proved very popular. I’m reading ‘Rip it Up and Start Again’ by Simon Reynolds atm, which talks about Sniffin’ Glue and the importance of other alternative media to get the punk and post punk message across -which was mostly ‘Do It Yourself!’

I have a sense that all of what Trevor calls ‘radio’ will become less and less about frequencies and analog broadcast and more about niches and DAB and online streaming and satellite, and the digital explosion will bring more ‘podcast’ style shows, like Chris Vallance’s PodsAndBlogs whereas unlike now where form is aping the media it’ll be about everything and specific niches, yup nichecasting. And targetted niches will become more valuable; rather than this current scattergun approach.

Remains to be seen if the Podcasters Will Inherit the Earth though. What I do know is that it won’t happen if we all play by their (old media) rules.

Podcasters totally pwn social media, the online space, the blogosphere, etc. compared to old media broadcast entities, we are from around here and mostly they are the slightly suspicious weekend punks sniffing around for some cool. Don’t let them steal it.

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Radio Clash 130: CampPod (aka Chop it Up And Start Again)

Friday, September 14th, 2007

CampPod OK?

Hmm rather long time coming this one, unlike the train this got re-recorded and edited…

Includes an interview with Glyn from Open Rights Group, my memories and thoughts of PodCamp UK, and various new and old mashups, covers and the like. Oh and a few Pirate tunes – YARR!

Chop Chop Busy Busy Work Work Gang Bang (67Mb, 94mins) http://media.libsyn.com/media/radioclash/rc_130.mp3

  • DJ BLUE – Hear Me (ft. 21Pele & Tacet)
  • Mandala Underground – Marionette Man (Treatment) (ft. Suzi Q)
  • His Boy Elroy – Revolve
  • 3:1 – Luke Tripp
  • Soundhog – 500 Bad Mice (from House of Infinite Zen 12″)
  • The Illuminoids – Satan Said Walrus Eggs
  • U2 vs Daft Punk (2002 Reworked White Label)
  • Architecture In Helsinki – Do The Whirlwind (Haima’s Remix)
  • Super Furry Animals – Sex, War & Robots (off Phantom Power)
  • The Silent League – Can’t Get It Out Of My Head
  • The Real Tuesday Weld – Last Words
  • Akron/Family – One Spring Morning (from Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys)
  • Slade – Everyday (from Old New Borrowed And Blue)
  • Bob Neuwirth – Haul On The Bowline (from Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys)
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Digital Watermarking – a killer contract

Sunday, September 9th, 2007

After talking to Glyn over at Open Rights Group at podcamp and then the Andrew Keen lecture, it’s interesting seeing this post by Erik Davis (via Nerdcore and Boing Boing) about a case where an advance promo CD – something that exists as a symbol of trust between music critic and label, has now become a symbol in the wars over DRM and ‘licensing’ of Intellectual Property – especially this quote and point totally missed by the Boing Boing crowd, who I assume just skimmed the post and jumped for the rope:

Moreover, the watermarked disc itself is, in some informational sense, alive, or at least virally infected with the digital ghost of my life. When I let that Beirut advance slip out of my hands, a little piece of me went with it, a chunk of virtual identity that I hadn’t agreed for it to appropriate and that I didn’t even know about. Instead of the old informal economy of circulating copies of music, I had become enmeshed in an emerging and far more claustrophobic world of endless virtual contracts and licenses, a world where objects command and the turn against you, where music has become data, and enjoyment little more than the processing thereof.

(the emphasis is mine) 

The important points here are that when someone sends you something for free, are you really entering into a contract with them? Can you ever, when unbidded, and for their own monetary gain – a good review hopefully can sell albums -  but no direct monies exchanged, people send you copies? It would be interesting if reviewers started ignoring DRM/watermarked releases as being too much trouble.

I’ve seen promos down in places like the Record Exchange, marked as ‘Not for Resale’ but as Erik points out it, like ‘illegal’ yet record-label paid-for promo whitelabels, is actually one of those ‘turn a blind eye’ slightly seedy parts of the industry. Anyway, for practical reasons alone, what do you do with the millions of chunks of plastic? Throw them away? Burn them? Not very productive, or good for the environment. Surely recycling them to someone else who wants them is better?

Most interesting is that the ghost of your identity can be enclosed into products without permission, and the repercussions can be terrible – which is why as we know DRM is EVIL. In this case it’s easy for the Boing Boing crowd to tar and feather this bloke even though it was an honest mistake, but what happened if it had gone missing in the mail? Promos do get stolen, leaks happen. But if it has your name on it, that could have serious legal and professional consequences…and it seems like with ID cards and smart media even store cards, more and more data around our lives is being included into a diaspora of electronic devices, with little or no control if they go astray.

I’m waiting for the first ‘fit-up’ where someone gets prosecuted purely on smart card (Oyster), mobile logs,  digital watermarking or site log evidence to later to be found to be innocent…at the moment they seem to be treated something on a par with DNA, but unlike DNA they can be faked (although the statistical probabilities of DNA are disputed, either in millions or billions to 1).

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Radio Clash PodCamp set and video

Friday, September 7th, 2007

Linda Mills dancing at PodCamp

Some more PodCamp fall out I mean media:

Here’s the remastered (ie. distorted songs replaced with originals) set from PodCamp UK last Saturday, although I left one song distorted cos I liked it that way and was having fun with the EQ.

It’s a set of crowd-pleasers, silly fun mashups, no mixing just bang one after each other, it was a lot of fun and had John and others in hysterics in places!

http://media.libsyn.com/media/radioclash/radioclash-podcampset.mp3

Tracklist:

  • TBP – Weekend? Alright Take your Mama Out
  • Cry. On. My. Console. – I Snapped the Casbah!!!!!
  • Dunproofin – Casbah Wonder
  • Frenchbloke – Sound of da S-Club Police
  • Instamatic – Ludakriss
  • Pilchard – Don’t Roll me Down
  • Chordettes – Mr Sandman (Squeak E. Clean and Desert Eagles Club Classic)
  • team9 – Saturday Salmon
  • Instamatic – Push It Slut (French Avenue 2006)
  • C.h.a.o.s. Productions – MIA in Funkytown
  • Cry. On. My. Console. – Command Your Rabbits
  • Phil n’ Dog – Muppet Gay Bastard
  • Beatbox Saboteurs – Knees Up MF
  • DJNoNo – Supercalibreakz
  • Who Boys – Fun n’ Bass
  • DJ Moule – Money for the Queen
  • Soundhog – 500 Bad Mice
  • Dusty Springfield – Son of a Preacher Mn (DJ A-Team edit)
  • Jimmi Jammes – Trippin
  • Who Boys – Two Taxmen
  • Cheapy D – Ass & Titties (You Forgot Poland)
  • Instamatic – Burn Yr Radio (PE version)
  • Beatbox Saboteurs – Morecambe & Wise
  • Richard Cheese – Guerilla Radio
  • The Orb ft Alan Parker – Grey Clouds

And sadly I appear in this good excerpt video of the Social Media discussion, by Richard Azia (needs Quicktime).

Oh and I look EVIL when I laugh.

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