Posts Tagged ‘PRS’

Behind the scenes at PodcastCon2006 – blog roundup!

Thursday, November 23rd, 2006

As I said in RC#99 I was interviewed by Gill Mills and Rob of TOTP at PodcastCon, along with Night Nurse Show and many people attending the event, and the results are up on Podshow’s site (or here’s the direct link to the 200Mb file). Watch to see Natasha fall over and the sign revenge between me and Scott of the Night Nurse Show…if they kept those bits in!

Thanks Rob and Gill! :-D

Also now up is some non-Flickr pix from Christian of Documentally including ones of me and Stefan from the Night Nurse Show – I spoke to Christian at the event and he seemed like a really nice guy, I was pestering him for pro photographer tips as he goes around the world as a photo journalist.

Oh and by far the best write-up of PodcastCon2006 (yes 2006, not this Marty McFly time travelling I did in my blogpost!) is this one over at Blog Relations. Although I don’t feel it was one body providing the us vs them (no not even Podshow whose low chilled profile was a masterstroke, and worked well) but there was that vibe of old media vs new media….

And I see that Mark Hunter and a few others I’ve heard commenting about the music panel questions still focusing on music we can’t (officially) play and that we should focus on the music we can play – I think when either the legal wrangles over ASCAP, RIAA and MCPS-PRS are sorted, and/or big viable alternatives to the mainstream route that bands and artists take starts luring serious talent away, then that conversation will change.

I mean The Shakes are great, and will be big, but 99.9% of the podsafe music I hear doesn’t make me want to throw away my CD collection just yet…

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PodcastCon 2006 UK debrief

Sunday, November 19th, 2006
Team Stealth Disco
Team Stealth Disco
,
originally uploaded by SmudgyPixels.

Wow…it’s 7pm Sunday and I’m still feeling the aftershock of the PodCastCon 2006!

Overall I had fun but had mixed feelings about the conferences themselves – more fun, interesting interactions and conversations was had out of them than in, sadly.

I arrived at 12pm – with jetlag from San Francisco flying in at 8:30am the previous day I was unlikely to make the 10am start! The Night Nurse crew had been and gone, and had gone down the pub…it was a ll slightly weird since I crashed the Web2.0 conference in SF and this was a different scale, although similar in some ways with the amount of podwhoring and people trying to sell you stuff…

In full flow was the business conference, I’d missed the creative conference (where apparently many people were scoffing at Brad Gibson’s assertion that all podcasts have to be 30mins or less, everyone I spoke to mentioned it interestingly without me asking…wish I’d been there to point out my 3,000+ subscribers feel differently!). The business conference seemed pretty boring, which wasn’t really a surprise since I don’t run Radio Clash as a business, with one of the speakers droning on about Gardener’s Weekly I left pretty soon after. I was looking forward to the Citizen Journalist and Music conferences that afternoon though.

Met up with the Night Nurse Show in the pub, who were in full argument sorry team discussion but it was good to see Natasha, Stefan and John even though John and then Natasha disappeared shortly after due partly to the excesses of the night before, but also the unengaging nature of the conferences themselves.

Rob from Top of the Pods (and in his new Podshow capacity) was there interviewing people with the really nice Gill Mills (who does Freelance Hellraiser’s podcast and is an old friend of Grant McSleazy – small world!) and I spoke to them later about Radio Clash and licensing and mashups, which you might see on the Podshow PodcastConUK page (no I’m not signing before you ask!)

Had fun disrupting the Night Nurse interview with a “HELLO MUM!” sign and Scott did likewise with “I AM A GAY!” on mine…along with the Stealth Disco video crowd, media guerilla disruption seemed to be the order of the day in an event packed with corporate and advertising messages.

So lunch over it was the Citizen Journalist conference – something I wanted to see because of John Buckley of Dissident Vox was chairing. Although Chris Vallance from the BBC (Radio 5) was entertaining, I found this disappointing because they’d gotten old-media names to speak about citizen journalism, which focused on audience participation and old-media using citizen journalists, rather than what most of us do which is bypass the old broadcast media and produce our own shows.

With all the panels far too much talking from the panel and not enough audience interaction, and when there was interaction, many of the people asking questions were either re-iterating previous questions, doing veiled plugs bigging up themselves or taking far too long and rambling. Several of the questions I was thinking ‘and what is your point?’ - in fact one of the best moments for me in the Music conference was when the guy from Magnatune bit back at the Nokia guy’s veiled plug for Loudeye and impenetrable consultese (‘what’s your value chain?’) with a barbed comment – I was one of the ones who clapped…it was bollocks and against the ethos and clear-speaking of podcasting.

This raises an organisational issue with the conference – it was very difficult to get to ask a question even raising your hand several times, others raising their hand later seemed to get asked before you (you can’t physically keep your hand up for 5-10-15 minutes!) and some of the questions should have been kept short or vetoed by the chair as being answered before (think of Question Time and how David Dimbleby interrupts to see what I mean, it’s not ‘polite’ but it keeps things moving).

A request for next year, if PCCUK2007 happens is maybe use an unconference format or have chairs who have more experience of moving things along (this is not a criticism of John Buckley or the other chairs, I spoke to him after and it was his first time and he did a great job; he did try and move it along but I think the format made it difficult, as well as him being the lone citizen journalist and having to hold up that corner too – in my former life in consultancy I was trained that the chair (or facilitator as they call them) shouldn’t really have to speak apart from helping the proceedings along, or have to provide an alternate view, the audience/panel should cover those bases).

After was an open session, and later some folk from Jimmy Golding (not my bag) and after chatting to Adam Curry outside with Scott (he came out for a smoke with Gill, he remembered us from the Bricklayers Arms earlier in the year) then the music conference chaired by Martin of Green Dragon, I was really looking forward to this, but it turned out mostly to be a velied plug for the Podsafe Music Network and to frighten people with scare stories about being sued by the PRS…again I wanted to ask a question and couldn’t, because I have been C&D’d by the MCPS-PRS in the past as a bootlegger, but also not had any hassle with Radio Clash (touch wood) and knew this to be total crap from my experience and others in the bootleg/mashup community who have had likewise…but again I was overlooked or missed.

Donna from Amplifico did talk very interestingly though on the effect on podcasting on her band, which was cool, and I liked John Buckman from Magnatune who knew his stuff and wasn’t afraid to bite the said Nokia person and then talk about how ringtone and mobile music providers have either ripped labels off or not provided them with stats like iTunes does! But not really podcasting related…
Nicole Simon from Cruel To Be Kind raised a good question about GEMA, the German rights body that is causing a lot of aggro to musicians and DJs in Germany, but otherwise it got dogged down in a podsafe-lovein and talk of PRS, ASCAP and SESAC et al, mostly scare stories for commercial bodies, which doesn’t apply to free non-profit music podcasters.

Actually that was the tone of the conferences, very fixated around making money, or old media bodies, or plugging various projects that the actual discussion suffered I think.

After the conferences was a great band called The Shakes who although David Bowie might have a few questions about their podsafe hit ‘Liberty Jones’ (‘All the Beautiful People’ anyone? Sorry you can’t take a bootlegger anywhere, I know!) were a quality band, with a funny frontman who could seamlessly work over any technical issues and have fun with it…very Long Knives spiky power pop/punk, which is quite big at the moment, and reminded me of Franz or Maximo Park in places…not as finished yet but I reckon they’ll go far just on their lead singer alone…

And then was the showing of the stealth disco video which I’d already been given a sneak preview of and saw them do Rob (I appear in the background at the 2min mark) and the last one with our Scott live! WOO! Very funny…

And after the best part – the pub! I think a lot of people were like – ‘who are you?’ but then talking them quite a few were listeners and fans – so shout outs go to Tom of Archaeocast, Linda from Philadephia who liked the Ivor Cutler show, Nicole Simon of Cruel to be Kind, Conrad Slater (dressed like a space victorian pimp, you’re a strange guy :-P ) of Spain films and also got to meet Phillip Holland aka Twinkelboi who was a great laugh (and when he becomes a famous superstar my one claim to fame is that my podcast was the first he ever listened to ;-) )! He was interviewing a drunken me and Scott and we suggested he interview Adam Curry – he was scared but we put him up to it, and he did! Also he filmed me getting back at RegularJen and Scott for the Stealth Disco – which hopefully will be posted at some point…also finally got to say hello to CC Chapman and Phil from Bitjobs, somehow we always manage to miss each other at these events!

I’ve also had a drunken flashback – myself, Twinkelboi and Scott recorded a podcast in the pub for Top of the Pods with Rob…oh dear I wonder if that will ever see the light of day? It was rather, err, rude…t’was just before the Wives and Girlfriends of Podcasters one…
Sadly according to this post that 3 of the gang are not doing this next year cos of aggro and the work involved…so thanks for this event guys, it must be a lot of work!

I think if 2007 does go ahead, I’d add that the corporate/company product encroachment of the event (not talking about the sponsors, but the conferences) spoiled the conferences for me…an unconference or BloggerCon approach would work better for me, but probably wouldn’t be acceptable to sponsors…it may be an unsolvable problem, but the endless plugging from everyone (rather than just talking to me about their shows or work or services, which would be fine) got to me…you do disservice to an important forum like a conference by using it as a blatant advertising tool…it’s vulgar and rather easy to spot, be it in a question, a panel member, or conference theme.

Photos are available here from CC Chapman and Neil Ford and others: http://www.flickr.com/photos/tags/podcastconuk2006

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The Beauty of GYBO

Thursday, July 27th, 2006

I’ve mentioned Get Your Bootleg On mashup messageboard in the past, although sometimes had my differences in the past, it always has great humour and sometimes comes up with classic and extremely funny threads.

A recent one was this thread, which mostly about a crap site I won’t mention here, and quite serious in part about sites that leech off the scene for Google hits, then evolved into a thread taking the piss out of software mashups by ‘mashing up’ names of bands and songs and computer terms.

There is comedy genius in there, and it’s a long thread, so I thought I’d save the best ones for posterity.

The ones I came up with:

Men at Quark
P.C. Allstarz
OSX Drugs and Rock n’ Roll
Sly and FireFox
John Firefoxx
Twisted Resistor
Crowded Mouse
Zip Zip Uncompress Me!
New File Order
Joystick Division
Flaming Chips
CPUs on Speed
Power Spike Hayes
My Bloody Vaxmachine
TerminalVision

And the classics so far harvested from the thread (mostly frenchblokes, quite a few from eve massacre too, but mostly a collaborative effort):

johhny cache
dolly partition
Powerpoint Sisters
Prince & The New Powerpoint Generation
Excel Rose
gnu order
myspace bloody valentine
the google dolls
The Mousemartins
Proxy Music
Modem English
the .commodores
windowflickr
Billy Ray Virus
extreme renoise terror
Rocket From The Script
Microsoft Cell
rootkit manuva
render sandman
papas got a brand new compaq
peter toshiba
Bugs Fizz
Hotspot Chocolate
Router Manuva
raid against the machine
soundblaster flash and the furious five
iMac the Knife
Compaq Velocet
blue screen of death metal
the rar band
The Phantom of the Opera(ting system)
yahooey lewis and the news
linux ritchie
fiona applet
instant messenger in a bottle
gnu shooz
George Format – When I’m Cleaning Windows XP
Freelance Shellraiser
rss speedwagon
hotbot chocolate
depeche safe mode
the birthday partition
the gmail of the species
richard direct x
Centrino & The .wavs
theme from the .exe files

xvideo killed the radeon star
Led ZIPpelin
Chips On Speed
Sex & Drugs & OGG’n'Roll
Hit Me With Your USB Stick
.zip .zip sputnik
Kernel Abrahams
.exe’s Midnight Runners
SCSI & the Banshees
Annie Linux
HAL and Oates
the goto team
lou read only
the cartridge family
oa.sys
Sigur DOS
Sabre Wulfs of Paradise.
Jet Set Willie Nelson
DJ Hype-r Sports
Ping Floyd

Earth Wind and Firefox
eBay City Rollers
renegade soundcard
Carter USB
POP3 will eat itself
A GUI Called Gerald
Soundcarden
Guns Don’t Kill People, Frapprs Do

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Radio Clash 69: Revolutionary 69 Dudes!

Sunday, March 26th, 2006

rome_2004_12_28_0020
“Hey Mr DJ or Miss…isn’t it time you turned 33 and a third into one Revolutionary 69?”

We hit the hi-tech groove with Elektric Cowboy, team 9 and several excerpts from Audioshrapnel’s great Last Bastard long mix…with DJ farty interuptions from the great Wayne Butane and that cnut Frenchbloke, and a new Kleptones track you won’t find on the new album, and some ol’ Anarchy in the UK with V for Vendetta.

Apologies for another long show, but since the original was over 100minutes (!) I think I’ve done well to edit it down…

Cliquez vous here, mate (78mins, 46mins): http://www.radioclashblog.com/show-archive/rc_69.mp3

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Pay to Play – your digital rights?

Saturday, January 21st, 2006

Something that has been bubbling under for a while is the attack on DJs using CD-Rs or laptops to play tracks they either already own but burn onto CD (like I do, burning a set onto CD saves wear on my original CDs and I can burn my mashups to CD as otherwise I couldn’t play them) or people who play digital files from laptops. The Manic Mechanic (greatbearmd) as part of his spot-on ‘rights series’ has written a great article about it – this is my response in part.

I have heard of raids in clubs, although don’t know a DJ who’s been affected – anyone out there who has?

The irony is that you create illegal white-label 12″s and you’d be OK…even though no-one gets those publishing rights, there is a label moratorium on white labels because of pressure from DJs and the labels and corporate’s desire to get club play. Thing is with ‘big time’ DJs like Sasha moving to Ableton Live, the idea that you have to license to play digital files you most probably own in other formats is laughable and unworkable, unless they do start raiding clubs in large quantities…and also counter productive.

Peter Leatham of PPL wrote:

You don’t actually have to DJ using a laptop. You can use vinyl, you can use CD, so we’re saying that if it’s not worth your while spending £200 then don’t do it
Peter Leathem, PPL

“Not worth your while”? As well as being bad grammar (quelle surprise) that takes the free publicity and tireless free promotion DJs do for music and pisses all over it. Some of that promotion will be for members of the PPL, but not all. Like the BPI or RIAA or MCPS some people opt-out or are not part of these organisations, they like to act like Bush Adminstration does in the War on Terror – as global cops who act for everyone when they most definitely do not.

Talk about taking the good will of DJs, which the labels court with free promos and special 12″s and ‘semi-official’ white labels, and stamping all over it.

(You thought those acapellas and 12″ mixes where all self-funded by anarchist DJ groups with nifty Gucci balaclavas?…nuh-uh not always, sometimes the label is doing a quick n’dirty underground guerilla PR job on their clients – I know of least one label who funded a white label release of a mash they liked).

As for mashups, again as they exist in a digital format and not usually 12″s or pressed CDs (again they can be, vaulting this whole issue by vanity pressings and making a mockery of it) they again are first in the digital firing line as the majority of DJs who use CDs are going to be playing CD-Rs of mashups unless they wait for nice fluffy corporates like Sony *spit* to capitalise (ie. parasite) the success of certain mashups like ‘Dr Pressure’ and play down the involvement of those concerned (Phil n’ Dog who highly deserve the acclaim for that mash, not Mylo) and put them out on CD and 12″. In which case it’s usually a year or two too late…

To be treated like novelty and be thrown a few (highly filtered and sanitised) scraps from the majors? Not me.

And I think the really crazy part is that I guess this would most likely cover you playing your own tunes (ie. tracks you’ve written, or mashups that are legal or in the grey area) on your own equipment (ie. a laptop gig). I’d need to go through the legalities to be sure but it’s like paying PRS royalties to cover or play your own tracks, which has happened…

With this and some clubs doing a non-CD-R policy, I wonder whether I should get all my back catalogue pressed? In the meantime I’m definitely DJing on CD-Rs…

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